About ten kilometres out of Saratok we turned up a backroad which quickly became a dirt track. It was hard work with the Sun still above the tree line and passing four-wheel drives throwing up clouds of dust, their occupants peering at us inquisitively, then smiling and waving. Eventually we came to a turning off the track down to a longhouse, which to my surprise turned out to be the one of which my friend Ambrose is Headman. I had been taken there by Ambrose about three months ago and could not remember the way back. The picture above was taken from his garden and we crossed the suspension bridge you can see in it to an island in the river where there is a school.
The life and opinions of a pretend peasant born in London, made in Puglia, and living in Newark England.
Sunday, 17 June 2012
One of Those Moments
About ten kilometres out of Saratok we turned up a backroad which quickly became a dirt track. It was hard work with the Sun still above the tree line and passing four-wheel drives throwing up clouds of dust, their occupants peering at us inquisitively, then smiling and waving. Eventually we came to a turning off the track down to a longhouse, which to my surprise turned out to be the one of which my friend Ambrose is Headman. I had been taken there by Ambrose about three months ago and could not remember the way back. The picture above was taken from his garden and we crossed the suspension bridge you can see in it to an island in the river where there is a school.
Labels:
Borneo culture,
Travel
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Doug, not only would your camera have been intrusive, but I suspect
ReplyDeleteyou would have been disappointed with the image it captured. You may not even have enjoyed your moment on the bridge as much had you been fiddling with a camera. You've managed to convey to me a sense of being in the middle of a jungle. Thanks for that. Hope you are feeling better.
Chris
Thank you Chris. You're right of course. When you don't take the picture I guess you are also allowing something else to happen - the changes to one's memory of the event as the reality recedes. Already my image of the woman in the river owes as much to Gauguin's paintings of Tahitian women as to what I actually saw. If I'd snapped the shutter I'd not just have a dull unchanging image, I'd know what camera I used, the date and time I took the picture and even the GPS coordinates. But would I be any the wiser?
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