When I last wrote we were in Genova. In the end we stayed four days, despite the
cost of mooring there. Generally, Sue
and I tend to like the same places, but over Genova we disagreed – I loved it
and Sue didn’t. Genova is an ancient
port (the hometown of Columbus) and the docks are physically and spiritually at
the centre of the City. These days it
has become a major stop on the itinerary of the Med cruise ships and at any one
time there are several, each the size of a small Council estate, tied up in the
docks, with at least one or two entering or leaving daily. Over the last decade the City has had a major
clean up and the docks are becoming more sanitised, with a new Aquarium,
marinas and the inevitable warehouses converted into flats and shops, not to
mention the pirate’s galley from “Hook”.
Like Glasgow, Genova has also hitched its wagon to the European
Community heritage gravy train and is to be European City of Culture in 2004, a
title it probably has rather more claim to than the home of Rab C Nesbitt.
Despite the clean up Genova still has its dark side. Ridley Scott could easily have taken his
inspiration for the cityscapes in “Blade Runner” from the Old Town, which
fronts the main dock. The area mainly
comprises tall tenement blocks which shut out the light from the narrow
streets, even at midday. There is much
decay and in places walls are held up with scaffolding. Parts of the Old Town are really ancient and
medieval churches live cheek by jowl with 1960s concrete structures and in the
most unexpected places one can find a sixteenth century fountain or a
renaissance wall frieze. At night the
place is very dark with pools of neon light which give a sinister
depersonalised hue to the cosmopolitan faces in the crowds that jostle through
the alleys. There are small shops and
cafes everywhere, from upmarket leather goods emporia to bakers, butchers and
tatty little ethnic general stores. Sue
didn’t find the atmosphere very sympathetic, especially the absence of the Sun,
but I enjoyed strolling round the place after dark observing the little cameos
that would be revealed by a street lamp or the bright lights of a shop
interior.
We finally left on Tuesday 15th October with a
general intention to get as far down the Italian coast as we could before the
Winter set in earnest. Our first
destination was Lavagna, a seaside town with a large marina twenty odd miles up
the coast. One of the English speaking
marina staff at Genova helpfully gave us an assessment of the weather
conditions in pure Italian accented Sarf London – “Southerly winds and one/two
metre seas to Portofino, then calm, no wind”.
Well he was more or less right about the first bit, but not the
second. With the wind on the nose as
usual we motored in quite steep seas, with rain clouds scudding by and
producing the occasional squall.
Portofino is possibly the most fashionable resort in the whole of the
Med, although little more than a grown up village with a small harbour. We saw little of it through the lowering rain
clouds and as we headed on to Lavagna the seas if anything got steeper. Getting into the marina was a bit challenging
as I tried to keep La Fulica on a straight course as she rolled and bucked
towards the narrow harbour entrance.
The marina is huge and professional with space for about
1,500 boats. Stuck near the end of one
of its very long pontoons we actually had a lot of privacy and anonymity, which
made a pleasant change. Our time was
spent strolling the nearby town centre and that of neighbouring Chiavara. At Lavagna we made extensive use of what is
probably the best guidebook to Italy – Marcella Hazan’s “The Essentials of
Classic Italian Cooking”. I jest not, if
you are going to Italy, especially self-catering, take a copy with you. Good traditional food seems to be central to
the Italian way of life and Marcella spends a lot of time on the qualities of
the main ingredients of Italian cooking and on the order in which courses are
taken, as well as basic recipes. Apart
from anything else this will allow you to experience the unusual pleasure of
going into food shops and markets with a recipe and actually being able to find
all the ingredients, instead of having to make do with ersatz or untried
alternatives – “do you think it matters if we leave out the nutmeg?”, “do you
think bacon will do instead of Pancetta?”
I’m nervous about making generalisations about nationalities, but the
Italian passion for food and for traditional ingredients was very well
illustrated for me by a middle aged couple in a grocers store who must have
spent ten minutes in a passionate debate about which of the fifteen brands of
Olive Oil to buy. I liked them even more
when, looking up, they realised I was watching them and they suddenly laughed
at the absurdity of their behaviour, then looked slightly sheepish.
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